Entrada Nombre personal

Número de registros utilizados en: 0

001 - NÚMERO DE CONTROL

• Campo de control: 47359

003 - IDENTIFICADOR DE NÚMERO DE CONTROL

• Campo de control: ES-MaCDM

005 - FECHA Y HORA DE LA ULTIMA MODIFICACION

• Campo de control: 20220918061555.0

008 - ELEMENTOS DE DATOS DE LONGITUD FIJA

• Campo de longitud fija: 220722|| aca||aabn | a|a d

040 ## - FUENTE DE LA CATALOGACIÓN

• Agencia original de catalogación: ES-MaCDM

100 1# - ENCABEZAMIENTO--NOMBRE DE PERSONA

• Nombre personal: Ordman, Jeannette

374 ## - PROFESIÓN

• Ocupación: Bailarines

375 ## - GÉNERO

• Género: Femenino

670 ## - FUENTE DE DATOS ENCONTRADOS

• Información encontrada: Bat-Dor In 1967, Rothschild established the Bat-Dor Dance Company for Jeannette Ordman, a classical ballet dancer from South Africa who captured the heart of the Baroness. Ordman was the artistic director, principal dancer, and headmaster of its dance school. From the beginning, Bat-Dor's style was a combination of modern dance with a strong emphasis on the technique of classical ballet. The Baroness gave her generous financial support to Bat-Dor, making it possible for the ensemble to purchase works of important artists all over the world. Among the Israeli choreographers who worked with the ensemble were Domi Reiter-Sofer, Mirale Sharon, Gene Hill-Sagan, Yehuda Maor, Igal Perry, and, in the past decade, Tamir Gintz. The importance of Bat-Dor lies, essentially, in its school of dance in Tel Aviv and the branch in Beersheba, which have produced generations of young dancers who have permeated the dance companies in Israel. Rothschild's death (1999) brought an end to the stream of cash flowing into the company, and its ongoing work was soon in crisis. Requests for government subsidies were made subject to reorganization of the ensemble's management practices and, today, it only operates the school, which receives government support.
• Identificador uniforme de recurso: https://viaf.org/viaf/164364768/#Ordman,_Jeannette